1. |
A Dream Already
03:30
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if it was you and me
since we were seventeen
our lives, would be complete.
if you had been with me
since we were teens
we'd probably be married.
if it was you and me
since the 90's
our lives, would be a dream.
oh, what a dream our lives would be.
oh oh oh, but it's a dream already.
i still can not believe
that you're with me
the world must have finally
gone and agreed
with me
cuz you're Nikki,
the prettiest girl
i've ever seen
and i am Mykee
i'm just plain Mykee
i don't know what it is
you see in me
but i
am happy
that you see whatever
it is you're seeing in me.
well, it didn't take long for me
to feel this, so i wrote you a song.
a 10 day happier song
than the one i wrote you before,
cause this time it means more.
now we're living in a dream.
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2. |
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Godamn, that first day was so exciting.
A trick of fate took us out of hiding.
My soul was in debt, so I laid out the bet.
We stayed up all night, just talking shit.
The second day was awesome too.
We met at the bar, and threw back some booze.
You said you thought about kissing me.
I had nothing to lose,
So I should have fucking been kissing you.
And the third day was great.
You saw my band play.
I played just for you.
I hoped you'd approve.
Fourth day, fifth, sixth, seventh, eighth..
I felt that things were starting to change.
It scared me to death, feeling you pull away.
Then came day nine.
Tomorrow things will be fine.
If maybe you would be mine, then maybe things could be fine.
Wrong.
Day ten. That was the end. And the beginning of my..
Ten day heartbreak.
I never learn from my own mistakes.
I'm having a ten day heart attack.
I fucked it up, and you're not coming back.
I know what you're thinking; "Ten days ain't shit! How can you really think you like this chick?!"
Well, it's just been so long since i've had feelings strong..
Enough to want to sit down and write a song to show you how fucking good i could be for you.
It wouldn't take too long.
How could it be so wrong?
How could I be so wrong?
Then came day nine.
Tomorrow things will be fine.
If maybe you would be mine, then maybe things could be fine.
Nope.
Day ten. That was the end. And the beginning of my..
Ten day heartbreak.
I never learn from my own mistakes.
I'm having a ten day heart attack.
I fucked it up, and you're not coming back.
I got you a present, the third day that I knew you.
But will I ever get the chance to actually give it to you?
(no, but seriously, i got you something. it's really fucking cool.)
I was so stoked to like you.
And I know you liked me too.
I was psyched that I met you.
But I'm not psyched to forget you,
Or live with this..
Ten day heartbreak.
I never learn from my own mistakes.
I'm having a ten day heart attack.
I fucked it up, and you're not coming back.
You're never going to be my fucking girl.
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3. |
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a man has died. i'll spend my time alive. wasting. my day. create this life of mine. divine. and RIDE!
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I shut out the world. I threw out my girl. I've been locked up, shown up, i'll grow up.. but not today. Cuz today, i've found my way. and today, i'm ready to say; Fuck this darkness, i dont want it anymore.
I survived through a war, now i washed ashore. But I dont want whats in here no more, i'm running for the door.
I been locked up, shown up, i'll grow up, but not today. Cuz today, i've found my way. and today, i'm ready to say; Fuck this darkness, I dont want it anymore.
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13. |
I Was Lying All Along
04:44
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Mere Mortal New York, New York
Weird music from a weird dude. Have fun.
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Tasmanian guitarist Julius Schwing embraces the visceral sounds of finger playing, incorporating them into his experimental guitar work.
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The soundtrack to the award-winning film “Freeland” functions beautifully as an album in its own right, with stark, evocative instrumentals.
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Beautiful, elegantly wrought instrumentals with the grace and delicacy of slowcore mark the latest from James Schroeder.
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Written in response to the climate crisis, “Leviathan” is a brooding and beautifully unsettling batch of dark ambient songs.
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Origin of the Alimonies
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You're Never Really Alone
by Jonah Parzen-Johnson
A collection of improvised baritone sax and flute compositions that strike a compelling balance between softness and spontaneity.
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